Tony Abbott keeps using that phrase, made all the more glaring that he repeats everything he says three times, like he is either an android with a minor glitch or he’s trying to summon some ancient magic.
The statement is made all the more painful, considering the Australian budget was actually in remarkably good shape after the GFC – in fact, it was generally regarded as the best economy in the entire world.
This fact is, of course, something that Joe Hockey is quick to point out to our trade partners, even if he is currently saying the exact opposite back here at home.
And that’s the last Society Squad strip!
While I don’t have any specific plans to revisit these characters, I really liked writing and drawing them, so if I think of another good reason to use them – and trust me, I’ll be trying to – expect to see them sometime again.
Something I knew I didn’t want to ever show was a proper superhero fight scene. (I figure you can forgive the last panel, though, as they’re just leaping in and it’s a nice group shot and resolution. Plus, you finally see why Captain Mormon has that visor thing.) There’s loads of comics showing superheroes punching each other, and I don’t need to add to that stack. There’s also a lot showing superheroes using their powers for silly things in their downtime. What I thought would be funny was to show superheroes doing clerical superhero work. I mean, at some point, they had to have a round-table discussion about the name ‘Justice League’, right? Did Batman have to register their URL? What sort of paperwork do they have to file?
I want more comics about superheroes doing their paperwork.
A specksynder was a position on a whaling ship, and was already considered archaic when Herman Melville wrote Moby-Dick. Being completely outdated and irrelevant even by his own time, Melville only dedicated one entire chapter to explaining it in minute detail. (I’m just joking; read the unabridged version.) In fact, he could have plum made it up for all I know; I’ve never heard the word used outside of that novel.
“Akimbo” means standing with your hands on your hips, incidentally. Like the traditional superhero power-pose.
The three members of this superhero team – whatever they may be called – were very deliberately chosen for the dynamics of the different groups they represent. Most superhero teams have a bunch of white dudes with a single woman and usually an alien, sometimes a black guy and maybe one of them knows a gay dude. Comics are getting (gradually) better with this, which is encouraging, but I wondered what it would be like to create a superhero team specifically designed around incorporating different types of diversity. You’d certainly end up with characters in conflict with one another, in interesting ways that aren’t necessarily antagonistic. That’s where the idea of Society Squad originally started.
I wanted to include:
- A character who was incidentally a minority and went unremarked upon for it (Parrot-Man)
- A character whose minority status was recognised by the characters and dealt with directly (Emperor Moth)
- A non-minority character who was a legitimately good ally (Captain Mormon)
Often, diversity is tucked away in the sidelines and never touched upon, only shown incidentally. Like that guy is gay or that woman is a Native American, but we’ll never mention that, they’re just there and they happen to be those things. In some ways, I think this is good to have in media, because it absolutely normalises these minority groups. But in other ways, it can be quite destructive, as it pushes the “we’re all the same” message instead of the much more accurate and helpful “we’re all different and that’s not a problem” message.
I think this is fine as long as it’s not the only form of minority representation in the work, which unfortunately it usually is. You need to have characters whose minority status you recognise, otherwise you’re just palette-swapping, which doesn’t represent a real-world group any better than any other character.
I made Parrot-Man a black teenager, because having a different skin tone is easy to identify him as a member of a minority group. But I didn’t want to (in this particular story) directly tackle issues that young black people face via him; I just wanted him to be there, and black. Because a minority character doesn’t always have to revolve around their minority status.
I also intended for Parrot-Man to be queer, but I never found a time to bring it up without it sounding forced and awkward. So I’m just Dumbledoring him now, which is either ironic or appropriate. Which brings us to…
As I said, you can’t have the above type of incidental representation be the only type of representation. So I pointedly made Emperor Moth’s nonbinary gender identity a topic of discussion by the characters, so I could tackle an issue head-on. I talked about it in a bit more depth in the annotation for the previous strip, but in a broader sense, I wanted to show an example of how discrimination (in this instance, cissexism) isn’t just some cartoon villain* to point out and revile in other people: it’s something that exists, usually without intent or malice, inside all of us, because those were the societal values we grew up surrounded by. As Avenue Q said, everyone’s a little bit racist, although I really don’t like that song, because it implies that simply recognising it is enough, and that we don’t have to do anything about it to change ourselves. Which yes we do each need to do.
For example, as I said the other day, I was accidentally cissexist to a friend. And just because I recognised that doesn’t mean I can shrug my shoulders and do nothing! It means I have to work harder in the future to overcome that programming. And I wanted to put that organically into a comic.
Also: Emperor Moth may be my favourite character to draw now. I’m particularly fond of them with Parrot-Man in panel 2.
*I am aware of the irony of using a cartoon to try and convey the shallowness of something “cartoonish.”
A lot has been said about what allies of minority groups should say, do, or be, and I don’t want to get into that here. But I think it’s safe to list two things that they shouldn’t do: redirect the issue to be about them (thereby turning a space for discussion about a minority group into a discussion about their majority status), or constantly remind everyone how they’re not personally responsible (see previous parentheses). With that in mind, a good ally is what I wanted Captain Mormon to be: a white, straight, cis man who is happy to learn new information about a minority group from one of its members, without making it about him.
(Although, obviously, he’s not as polite as he could have been in the previous strip, but then the comic wouldn’t be as funny. Plus, real people speak in different ways. Better overall to have him sound naturalistic than like a perfectly-educated robot, I figure.)
Captain Mormon seems like an odd inclusion unless you think of him in this way. Someone said to me the other day that it’s like he’s a non-social-issue-related character, which as an ally he kinda should be.
Incidentally: I went with Mormonism because it’s a religion that I know enough about to comfortably theme a character around, without worrying I’m going to offend someone (although if I have anyway – I’m sorry). Plus, Mormon cosmology is just fascinating. There’s a cliché about Mormons all being lovely people, and as far as clichés go, I’ve found it to hold up surprisingly well – at least among the Mormons I’ve met, anyway. The Patreon jokes came from thinking about a Mormon superhero, actually: a strong sense of community plays a large part in Mormonism, and Mormons aren’t usually luddites. I reckon they’d get it done.